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On Queries

April 19, 2018 by John Pederson Leave a Comment

On Queries
On Queries

“Never Waste A Reader’s Time.”

I’m a big fan of Kurt Vonnegut. His advice continually resonates with me, especially that line in particular. It informs not only my primary writing – a pair of novels both shorter than what is often called for – but also manifests in much of my ancillary writing.

So you’ve written, revised, edited, workshopped, and polished a novel that you’d like to see published. Cool. Lauren’s approached one method of how to do that. Here’s my take on another.

Query letters.

When I picture agents, I imagine them inundated with queries, letters coming out their ears, clicking through endless emails, No, no, no, like the teacher from A Christmas Story liberally doling out failing marks. Composing a query can feel like a daunting, futile task, where you’re destined to be lost in the sea of submissions and probably just end up rejected anyway.

But if you want to be published traditionally, they’re your next step.

So, how to draft a query that maximizes your chance to escape the whirlpool of rejections?

My first stop in researching this craft came from scouring the excellent “Successful Queries” section of Writer’s Digest. Here, one can find a number of queries accepted by agents, with a breakdown of what made each appealing.

One thing most have in common: They’re brief. In these queries, no one’s time is wasted. If the agent has to field a hundred of these a day, they don’t need anything more than the basics – they have enough to read as is. If they’re bored by the query before they even get to the pitch, they’re going to toss you overboard, even if you did have an A-plus-plus manuscript.

The examples there informed how I set about querying my second novel, The Archivist, which as of the time of this writing has had multiple requests for full manuscripts.

  • Dear xxxx –

My name is John Pedersen. I am a writer living in Northern Arizona. I found your page from a listing of agents seeking science fiction, and I think you may be a good match for my material.

I have recently completed my second novel, The Archivist, a cyborg western for fans of Logan, Hell or High Water, and anyone who grew up with 80s scifi/action.

Lance is a future version of The Man With No Name living in seclusion in a frontier town until a former partner once again calls on his skill as a hired gun for a job that turns out to be much more than they anticipate – severing their bond and putting Lance on the run with an ancient artifact that shouldn’t exist.

xxxx

The Archivist is a complete at 71,000 words, available to you wholly or in part.

I look forward to hearing from you.

John Pedersen

Pretty basic, right? It’s concise. It tells the agent everything they need to know. But it isn’t trite. Each sentence was crafted carefully to highlight key points.

  • Dear xxxx –

This is personalized. Whomever you are begging to consider your blood, sweat, and tears, putting their name at the top of the document (as opposed to Dear Agent) is the first step in cracking their rock-hard facade. They’re a person, not some automaton, and ostensibly their job is not only to represent your work, but to establish a personal relationship with you, represent you, and when you’re blindly shotgunning your masterpiece all over the internet in the hope that someone, anyone, will bite, the onus is on you to reach out as a person, first.

  • My name is John Pedersen. I am a writer living in Northern Arizona.

This is, obviously, who I am. I include where I live in an effort to be personable, to give an intimate detail about my life, but stopped there for the sake of brevity. Instead of limiting that tidbit to location, it would be better if you’re able to swap in some detail to make you more appealing to whomever you are querying. Remember – you’re trying to convey as much meaning in as few words as possible.

My name is xxxx and I am a roboticist living in Canada.

My name is xxxx and I am a schoolteacher living in Nova Scotia.

Both of these would be good only if the details are relevant to what you are trying to sell. If you have a novel about the trials of students, mentioning you are a teacher may help solidify you have some base of knowledge you’re building from. Since I am neither a cyborg nor a cowboy, I didn’t feel the need to include that in mine, though in hindsight I suppose being from a rural area may inform the authenticity of my characters.

Again, brevity.

  • I found your page from a listing of agents seeking science fiction, and I think you may be a good match for my material.

This is the reason I contacted this agent in particular, and I get straight to the point. (If you’re curious about the list I used, it can be found here.) It is crucial to ensure the agents you are querying are appropriate. No reason to pitch to someone who only represents romance for your novel about a zombie apocalypse. If they’re looking for the next Nicholas Sparks, you’ll only be wasting your time, and theirs.

  • I have recently completed my second novel,

This is definitely tooting my own horn, chosen to show that I am not a one-hit wonder, even if my first novel isn’t in any shape to be queried. Though I’m sure both types of authors have their place, those who want to publish one book and those who want to publish multiple, I seek here to establish myself as the latter. Should a particular agent and I enter a business relationship, I intend to be a steady stream of revenue.

  • The Archivist, a cyborg western for fans of Logan, Hell or High Water,

Many of the queries featured at Writer’s Digest emphasize works that are similar to the author’s own. It’s savvy to right away to establish that not only is there an audience for your work, but that you’ve targeted that market as well. This also lets the agent know if they are the right person to sell it. For the record, I have received more than a dozen rejections on this query, which tells me it’s effective in this regard. Those agents weren’t interested, for whatever reason, and I presume at least a couple of them knew it wasn’t their particular jam to sell it based on subject manner. So it goes.

It also specifically states the genre, because they’ll want to know that. Here, I present a “cyborg western.”

My other working idea included, “The Archivist, a mashup of Robocop and Unforgiven,” which, while still accurate, felt dated. The comparative works I ultimately settled on are more modern.

  • and anyone who grew up with 80s scifi/action.

The tidal wave of nostalgia continually washes over pop culture. This phrase signals my work to be commercially viable.

  • Lance is a future version of The Man With No Name living in seclusion in a frontier town until a former partner once again calls on his skill as a hired gun for a job that turns out to be much more than they anticipate – severing their bond and putting Lance on the run with an ancient artifact that shouldn’t exist.

And here’s my pitch! Here’s a 71K-word novel, condensed down into a single sentence. It’s a bit of a run-on, but it’s (again) the briefest way I could describe the entire story. It tells about the protagonist, reinforces the genre-blending element, and gives a sense of the sequence of events. Plus, I hope, it’s interesting enough to hook an agent looking for original science fiction.

  • xxxx

While these might look like kisses, most agents don’t appreciate bribes. Nor are they my spin on the crude drawings Vonnegut often included in his books.

These are a placeholder for personalized information, directly targeted to a few specific agents.

For most, I tailored the query very little beyond what I’ve indicated above. It’s only about 150 words. But for each agent, I scoured their personal page at their agency, looking for any details that may make me stand out just a little bit more.

Below are some of the (very) few additions to the form letter, each targeted to a particular agent.

  • What draws me to you is your expressed interest in new twists on cyberpunk and genre-blending. I didn’t set out to write a cyberpunk western, but as the story matured, the parallels were too great and I had to follow them.

  • What draws me to you is your stated interest in science fiction that covers political and social systems in the worldbuilding, as well as the morals of the characters not exactly being black and white. I’ve taken great care to ensure that each force at play in The Archivist has understandable motivations, without having explicit good and bad guys. The main protagonist’s arc balances around how the macguffin allows him to find personal meaning, not what’s at stake in the larger world.

  • What drew me to you is your phrasing regarding speculative fiction – The Archivist takes place in a world where everything has been changed, not by some catastrophic apocalypse, but rather the natural human tendencies that plague us all. In the world Lance and his colleagues inhabit, we’d been given a second chance to do things better, but instead took a much darker route.

  • What drew me to you is your expressed interest in sci-fi that messes with established tropes. The Archivist may feature a protagonist with a familiar backstory, but as the narrative proceeds, it becomes clear that it isn’t your typical misunderstood “bad guy with a heart of gold” driving the plot.

Each of these examples makes the claim that my work encompasses something that a particular agent has indicated they are looking for. They also reinforce that I’ve done my research on the agent as a person and chosen them specifically to consider my work.

  • The Archivist is a complete at 71,000 words, available to you wholly or in part.

This is important to include because everyone wants to know how long your work is. There is a definite window (generally 70K to 130K) in which a science fiction novel is considered “sell-able.”

Mine’s on the short end of that spectrum, but again, this detail lets an agent know if you’re going to be a waste of their time or not. And I admit, I did submit this to more than a couple people who wanted stuff closer to 100K. Nothing ventured . . .

And “wholly or in part” . . . It’s important to make sure, and I can’t emphasize this enough, that your submission to a particular agent meets their exact specifications. No, you don’t get to be lazy and formulate one package that you can send out in a mass email. “I’m too busy to look into who you are or what you’re looking for, so here’s a press kit about my book,” will always, always, always be met with, “I’m too busy to consider your work.” No exceptions. You can’t, can’t, can’t just write a “Dear Agent” form letter and expect anything more than a “Dear Writer” form rejection. You’re not a unique and beautiful snowflake, and neither is your precious manuscript, so put some effort into it.

And finally, “complete” signifies that your work is ready to sell. You’re not going to be wasting your agent’s time while you muck about finishing your book. Make sure it’s done and as good as it can possibly be before you try to get anyone else on board with it.

  • Please find the first 10 pages

  • Please find the first 30 pages, and a one-page synopsis

  • Please find the first 3 chapters, and a two-page synopsis

These lines were included at the bottom of each query that answered a specific request, to show that I paid attention to their requirements. If the agent got past my “Man With No Name” pitch, they’d now also see that I took the time to provide exactly what they’re looking for. Don’t give them any excuse to put you in their “No, no, no” pile other than your work. If you did write the Next Big Thing, give them every opportunity to find it without throwing you out because you can’t follow directions.

This means submit it at 12pt Courier if that’s what they ask for, indent your paragraphs, number your pages, align the stupid header on the left if that’s what they want. 12pt Times New Roman isn’t what they’re asking for? Rejected. No page number on the first page? Rejected. Include nothing more or less than what they ask for. They have enough material to sift through that anything they can use to contribute to the process of elimination is probably welcomed. Might not be fair to you, but presumably you’re literate enough to barf out a whole novel, so you should be literate enough to read their webpage and submit to their specifications. Really.

  • I look forward to hearing from you.

John Pedersen

And then there’s me! Hey! I’m a person who has authored a pretty good novel about rusty old robots and cyborgs beating the hell out of each other! You should check it out, if it seems like something you might be interested in. We might be able to do some business together.

And finally, the caveat that needs to be included in every query letter blog post from now to the end of the time – anticipate rejection. A lot. Best develop thick skin now. JK Rowling got three hundred million rejections before Harry Potter became the phenomenon it is. Stephen King used to keep his “Unfortunately . . .” letters spiked on an old nail above his desk, eventually collecting so many that he had to put up another nail. (Presumably these nails were actually sentient creatures that are currently enacting their plan of world domination by drowning us with his success.)

Rejection’s just part of the game. It may not mean your work isn’t good (or good enough) it just might not be the right fit for that particular agent. Just keep submitting.

But, if you’ve carefully crafted something competent and marketable, and spent just as much (if not more) time-per-word on your query, you’ll stand a good chance of elevating yourself over the rest of the rabble clamoring for the agent’s precious attention.

Despite this breakdown being sixteen times longer than the query itself, I have tried to convey as much meaning in as few words as possible. As you send your queries out into the world, keep that in mind. Never waste a reader’s time.

Filed Under: Resources Tagged With: author, authors, querying, submitting, writers, writing

Adventures of Lauren, A Self-Published Author Lesson #5: Writing Is My Passion

June 7, 2017 by Lauren McNeil Leave a Comment

Adventures of Lauren, a self-published author - Lesson 5: Writing is my passion

 

Welcome to the final post of my five-post series! Last week I talked about the fourth thing I learned on my journey to publishing my novel – you’re not going to make any money. You can read the previous posts in the series here. 

Although I’m still pretty new in my “published-ness,” I’m still on an important journey. This is my publishing dream! Whether the book sells or flops (it’s selling, so fingers crossed that continues!!), it’s still a pretty awesome achievement.

However, it can be frustrating and crushing, especially when things don’t go well, and with so many pitfalls, many would-be writers give up..

This is why I didn’t.

The Ups And Downs

When my eBook went live on 31 March 2017, I had a panic attack.

The first in quite some time. I’d been stressing in the days leading up to the launch, wishing I had another week, another month, another year to polish and refine and get it perfect.

Deep down in my heart I knew the book was half-decent, otherwise I’d never have published it! But the anxiety was not so easily squashed. Not quite a publishing dream, more a nightmare!

Everyone would see the weaknesses and not the strengths, wouldn’t they? So why did I put myself through it? Why do I continue to market the book? Push myself through the stress and anxiety? Why do I still get butterflies when I see I’ve made a sale, or someone leaves a review?

Because writing is my passion.

I Have The Writing Bug (would you believe it, through my procrastination!?)

If I don’t write for a few days, I feel the bug creeping in. Even if I write a page or two of nonsense, the bug begs to be acknowledged.

I’m honoured to be part of the fantastic writing group, Garage Fiction. It’s comprised of people from all across the world, with all manner of strengths and expertise. Being part of a supportive community is wonderful, and, I’d say, absolutely necessary.

You can feel very alone when you write, with no measure to see if you’re improving or just writing drivel. It’s scary to share what you’ve written (especially something unedited!), because you feel vulnerable. You’re opening up the world to what goes on inside your mind, and the world can be a very harsh place that does not hold back if it dislikes something.

But Writing Is My Life

Publishing a novel is an achievement that can never be taken away, and I long to improve my craft and refine the process and do it again, and again, and again, until the whole series is released and my next publishing dream is achieved! The pleasure of writing ultimately outweighs the fear of judgement.

Lesson: Writing is a collaborative process. Writing constantly evolves, and it’ll never be perfect, so focus on continuous improvement, take the compliments when they come through, and push through the negatives.

P.S. I hope you enjoyed this blog post (and are enjoying the series)! If you have any comments or questions, feel free to get in touch below, or through Garage Fiction’s social media. You can also email me direct! lauren@llmcneil.com.

P. P. S. If you’re interested in grabbing yourself a copy of my novel (adventure fantasy!) then you’re in luck!

 

You can buy Moroda in paperback directly through my website.

You can buy Moroda as an eBook through Amazon.

Read the book? Please leave a review on Amazon or Goodreads!

 

Filed Under: Resources Tagged With: author, authors, books, creativity, marketing, self-publishing, writers, writing

Adventures of Lauren, A Self-Published Author Lesson #4: You’re Not Going To Make Any Money

May 31, 2017 by Lauren McNeil Leave a Comment

Adventures of Lauren, a self-published author - Lesson 4: You're not going to make any money

 

Welcome to post four of my five-post series! Last week I talked about the third thing I learned on my journey to publishing my novel – research, research, research. You can read the previous posts in the series here.

Self-publishing has pros and cons like anything. Self-publishing costs, however, can add up.

Pros = you get 100% complete creative control, and you probably stand to make more from each sale than you would with a press – after all, no-one else is taking a cut of your direct sales!

Cons = you have to do everything yourself, and that includes an awful lot of homework, too. You also have to outsource, if you want your book to stand out and have a chance of doing well.

Worldwide Best Seller Dreams

I know the writer’s dream is to become a best-seller and earn millions. It’s a pipe dream.

Still more of us dream of simply writing books full-time, paying the mortgage through royalties, maybe even getting picked up by one of the big five publishers.

The truth is less rosy. It’s pretty unlikely to happen. That’s not to say you can’t be successful (you ABSOLUTELY can!), and everyone has a different measure of what success is.

For me, I wanted to break even.

A breakdown of my self-publishing costs so far:

£300    Cover Design
£150    10 x ISBNs
£550    Printing
£80      Domain purchase and website hosting
£470    Concept Artwork

£1550 Running Total

That’s not even looking at the Facebook and Twitter Ad campaigns I’ve run, and will run in the future.

Self-Publishing Is NOT Cheap

It can be, certainly. You don’t need to spend a penny if you stick with an eBook (so waive the ISBN and print costs), design the cover yourself, don’t have a website, don’t have any other extras, and don’t put any money at all into marketing.

I could also have saved money if I used a POD service like CreateSpace or Ingram Spark. I was lucky enough to have free editing, so you can easily add another several hundred pounds to that.

This is not to mention doing ALL of the work yourself. From ISBNs to formatting (an additional cost, if you outsource it), all the research, all the social posts and content, all the promoting… the list is endless.

You’re Investing In Yourself

But I wanted to give it a good go. I wanted someone to pick up my book and not be able to tell whether it was self-published or traditionally published. I just wanted people to enjoy a good book.

So self-publishing costs were just something I had to accept.

With Amazon’s 70% royalty payments on eBooks, I earn a little over £2 per eBook sold. If people purchase a paperback through my website and PayPal me directly, I earn about £3.50 per book sold.

(Of course that’s not the end of the story – I have to pay tax on all profits.) So I earn a very, very pitiful amount and all of a sudden my goal of breaking even seems a tiny speck in the distance.

Of course with subsequent books, I won’t need to buy ISBNs again, I probably won’t need any concept artwork, I might get a discount on my next cover design, domain purchase and website hosting costs are covered… so that will help.

But printing another run of 150 copies? That £500+ is a sizeable chunk that I may not be able to / wish to pay. So POD for books two onwards is something to research (see previous lessons learned!), and Ingram Spark seems to be the best platforms for UK authors.

At the end of the day, I’m investing in myself as a professional writer. You can’t really put a price on that, can you?

Lesson: How serious are you? How much are you willing to invest in time and money?

Click Here To Read The Fifth And Final Thing I Learned: Writing Is My Passion!

P.S. I hope you enjoyed this blog post (and are enjoying the series)! If you have any comments or questions, feel free to get in touch below, or through Garage Fiction’s social media. You can also email me direct! lauren@llmcneil.com.

P. P. S. If you’re interested in grabbing yourself a copy of my novel (adventure fantasy!) then you’re in luck!

 

You can buy Moroda in paperback directly through my website.

You can buy Moroda as an eBook through Amazon.

Read the book? Please leave a review on Amazon or Goodreads!

Filed Under: Resources Tagged With: author, authors, books, creativity, marketing, self-publishing, writers, writing

Adventures of Lauren, A Self-Published Author Lesson #3: Research, Research, Research

May 24, 2017 by Lauren McNeil Leave a Comment

Adventures of Lauren, a self-published author - Lesson 3: Research, research, research - Selling your book

Welcome to post three of my five-post series! Last week I talked about the second thing I learned on my journey to publishing my novel – build an audience before you launch. You can read the previous posts in the series here and here.

You might’ve noticed there are a few publishing rookie errors in these posts. In truth, I wanted to get it done because, “is your book published yet?” was becoming a very frequent, very annoying  question, and I was bored of giving the same answer. (Maybe “don’t tell anyone you’re writing a book” could be another lesson?!) So I hurried through when I should’ve taken my time.

 

Know Your Tools

This can be applied to any number of things, but specifically I’m talking about Amazon when it comes to selling your book. I made the decision to publish the eBook through KDP, because it was free and simple to use.

The paperbacks were something else.

I definitely wanted them (to be able to physically hold a book I’d written?! Yes please!), and I’d discounted print on demand (POD) (I’ll get back to this), so I needed to look at some other way to create, sell, and distribute the paperbacks.

 

Method To My Madness

Distributing was simple – I’d use Royal Mail. If I had my own stock, I could sign copies for those who wanted one, and I could include “book swag” like concept art and maps.

Creating was also simple. I vetted various a load of printers based in the UK, mostly those who specialised in helping indie authors. After receiving a fab sample, I settled on Clays. They were able to provide the paper, size, and detail I wanted – including super awesome little touches like embossing.

They provided easy to follow guides to format the pages (I admit, the graphic designer at my work gave me a hand), but otherwise I did everything myself. My book cover designer (Book Beaver) also edited the cover to their specifications, so with only a couple of little hiccups, my order was accepted. 

 

All Hail Amazon?

Selling your book. This was the hard part, and certainly where research (or lack of) came into play.

I assumed I’d sell my paperbacks through Amazon, too. Mostly so if someone clicks on the link, they have eBook and paperback there. Plus, Amazon reviews are all in the same place, and I’m linked as the Author to both formats.

Seems great. But it wasn’t that simple.

I purchased a batch of 10 ISBNs from Nielsen, and used their Title Editor to update the book info. Online retailers like Waterstones pulled this data from Nielsen so the paperback appeared on their website (still can’t believe it’s on their website!!)

Not so with Amazon. You have to create an Amazon Advantage account to link yourself as a vendor for the book. You add in the price and availability information to your product once accepted, and you’d think that’d be it!

Of course selling your book is not that simple.

Amazon takes a whopping 60% of all sales through the programme (compared to the 70% royalties I earn for each eBook sold). When you factor in the print prices, it meant I’d earn a net of 56p per paperback sold through Amazon.

Oh, and I have to ship it to their warehouse, too. Which I have to pay for. So I’d make a loss.

Selling your book through Amazon? Not so great.

Lesson: Do your research so you don’t end up wasting money.

 

Click Here To Read The Fourth Thing I Learned: You’re Not Going To Make Any Money!

 

P.S. I hope you enjoyed this blog post (and are enjoying the series)! If you have any comments or questions, feel free to get in touch below, or through Garage Fiction’s social media. You can also email me direct! lauren@llmcneil.com.

P. P. S. If you’re interested in grabbing yourself a copy of my novel (adventure fantasy!) then you’re in luck!

 

You can buy Moroda in paperback directly through my website.

You can buy Moroda as an eBook through Amazon.

Read the book? Please leave a review on Amazon or Goodreads!

Filed Under: Resources Tagged With: author, authors, books, creativity, marketing, self-publishing, writers, writing

Adventures of Lauren, A Self-Published Author Lesson #2: Build An Audience Before You Launch

May 17, 2017 by Lauren McNeil Leave a Comment

Adventures of Lauren: a self-published author - Lesson 2: Build an audience before you launch

Welcome to post two of my five-post series! Last week I talked about the first thing I learned on my self-publishing journey – finish the damned book before setting a go-live date. You can read the post here.

I’m a first time self-published author, and although I did (what I thought was) plenty of research, I still hit a few stumbling blocks along the way. I’ll definitely be avoiding those with book two!

 

Get To Grips With The Essentials First!

I knew this one before I started. I blame my failing of lesson one for not completing lesson two.

If I’d actually had a finished book two or three months BEFORE my release date, I’d have been able to spend 100% of the time on fancy marketing stuff and building my “author platform.”

Stuff like getting to grips with Mailchimp and having a solid email list, being active on Twitter, Facebook, and Goodreads. Setting up blog tours, sending out ARC copies, and all that cool fun marketing stuff that’s actually a load of hard work!

 

Fail To Prepare, Prepare To Fail

Okay, it’s not all doom and gloom. I’ve not “failed.” I was flailing, though.

I had to learn Twitter and Goodreads, fast – not just using them, but in a marketing sense. My accounts had some followers, but honestly, it was hardly anything. I just didn’t have the time to dedicate to all the core preparation stuff because I was spending every waking moment outside of work, eating, or sleeping, writing and polishing the damned book!

Although I’ve worked in Marketing for several years and have a fantastic team (who helped brainstorm some ideas for the paperback launch, which followed a month after the eBook), there was still SO much I could have done before to ensure the launch was more successful than it was.

 

Get The Basics Done

Other marketing “quick wins” – like having an author photo (hate having my picture taken!), an author website (all I had was my freelance writing website with one small page mentioning my book), and getting my book in front of top reviewers were really basic things I could have done months before.

Of course there’s the paradox of building an audience for a something that’s not available… but it’s preferable to madly rushing through most of the prep after the book was out! Everything needed to be done YESTERDAY, and technology issues pushed me into a rage I’d not experienced in years!

Lesson: Do the groundwork first, not during, and certainly not after.

 

Click Here To Read Post Three – The Third Thing I Learned: Research, Research, Research!

P.S. I hope you enjoyed this blog post (and are enjoying the series)! If you have any comments or questions, feel free to get in touch below, or through Garage Fiction’s social media. You can also email me direct! lauren@llmcneil.com.

P. P. S. If you’re interested in grabbing yourself a copy of my novel (adventure fantasy!) then you’re in luck!

 

You can buy Moroda in paperback directly through my website.

You can buy Moroda as an eBook through Amazon.

Read the book? Please leave a review on Amazon or Goodreads!

Filed Under: Resources Tagged With: author, authors, books, creativity, marketing, self-publishing, writers, writing

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